After ‘The Mother’ and ‘Venus’, this is often the third collaboration between ‘Notting Hill’ director Roger Michell and author Hanif Kureishi. It’s their strongest nevertheless, and all over again they provide a late-life dash for love and happiness. ‘Le Week-End’ tells of Nick (Jim Broadbent) and large integer (Lindsay Duncan), a family WHO head to Paris for an opening, however realize themselves facing up to non-public and skilled dissatisfaction. It’s gently vie, typically terribly funny and shot everywhere Paris with energy and wit, and boosted by excellent, inquiring turns from Broadbent and Duncan. It deals head-on with its sad-faced subject while not leaning on sentimentality or misery, or providing simple answers. Michell and Kureishi insert a winning dose of magic into the realism within the variety of Morgan (Jeff Goldblum), a loaded first love that the couple come across. The meeting conjures up an ungainly, near-surreal dinner-party scene ANd permits Michell to shut the film with an rising nod to Godard’s ‘Bande à Part’. Delightful.
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